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The Salt of the Universe

Praise, Songs, and Improvisations

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1 of 1 copy available
1 of 1 copy available

Named a Recommended Read by The New Yorker

A book of mischief and improvisation that answers fundamentalism with rage, music, and delight in this earth.

A book of mischief and improvisation, The Salt of the Universe answers fundamentalism of all kinds with rage, music, and delight. It asks questions that are urgent, impossible, necessary, and irresistible: Where does freedom live? Why does it sometimes feel so good to be told what to do? What on heaven and earth is the Apicklypse?
These and other inquiries arise from Amy Leach's experience: playing fiddle and piano (and sometimes the organ); her childhood in the Seventh-day Adventist Church, and its many prohibitions (coffee, dancing) and emphasis on the apocalypse. After listening to thousands of sermons from a variety of pulpits, here Leach is offering one of her own. She borrows the words of an old hymn, and says: "This is my story, this is my song." Accompanied by four-year-old mystics and six-year-old geologists, bears and butterflies and willow trees, she praises not obedience but freedom, not secondhand but firsthand thoughts, not homogeneity but heterogeneity. She champions Emily Dickinson and Jesus over interfering prophets, questions over answers, the soul over the institution, Miles Davis over miles of marching.
The Salt of the Universe argues against argument, and against restrictions of all kinds and their limiting effect on our humanity. In this whirlwind of linguistic cartwheels, philosophical shenanigans, and praise songs to the cosmos, Leach reminds us: we must run toward mischief, music, love, the wonders of nature, and the wild joys of all that we don't yet know.

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    • Kirkus

      Essays that explore fundamentalism, nature, music, and wombats. In Leach's third collection, the "overchurched" former Seventh-day Adventist seeks to "let my soul speak for itself." Featuring a kind of choppy, often rambling comic approach, the author prefers wit, humor, and sarcasm while making her points. In "The Answer Book," she lambastes the Adventists ("prophecy cranks") and their world-will-end-tomorrow beliefs: "while the apocalypse is sexy short-term, long-term it's a slog." A later essay, "Put That in Your Pipe and Smoke It," is Leach's exuberant defense for being a vegetarian while swiping at fellow vegetarian Ellen White, the Adventists' co-founder and author of countless commandments, including "cheese should never be introduced into the human stomach." In "The Apicklypse," the author chronicles her gradual call to freedom from Adventism. In the less strident second section, Leach returns to topics explored in her first two collections: nature and animals. "Old Hat" is a discourse on flowers, trees, cows, the meaning of Christmas, and enjoying a "dance to birdsong." "Lucky Duck" provides a list of some of the "characters" who live in the author's Montana neighborhood, from bears to chickens to moose. In "Laughing Willows," Leach asks us to stop and consider the willows, which "look like wrestlers." In Part 3, the author takes on the concept of rapture, object permanence, and "insipid" contemporary Christian music. In one of the book's best essays, the musically gifted Leach feels inhabited by "phantoms, lightning, mazurkas, mice" while playing the piano or violin. "Salt Is Good" angrily recalls how, as students, they were ordered to tear out the first few pages of their biology book "to protect ourselves from encountering evolution. We canceled evolution." Each essay ends with a sort of footnoted "reprise" in which Leach briefly riffs on topics previously covered. An uneven collection with just a few more misses than hits.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED. (Online Review)

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  • English

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