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1967

How I Got There and Why I Never Left

Audiobook
1 of 1 copy available
1 of 1 copy available

The great eccentric of British psychedelia?beloved by everyone from Led Zeppelin and R.E.M. to the late Jonathan Demme?pens a singularly unique childhood memoir . . .

"Memoirists rarely begin their work with a stroke of genuine inspiration, and Robyn Hitchcock's ingenious idea to limit his account of his life to the titular year gives this sharp, funny, finely written book an unusually keen, wistful intensity without sacrificing its sense of the breathtaking sweep of time. I absolutely adored every line of 1967 and every moment I spent reading it." ?Michael Chabon, author of Telegraph Avenue

"1967 . . . in which our hero looks down from the future at his squeaky realm of boyhood, a world of Day-Glo sunsets, and would-be denizens of music and the mind. Cometh the year, cometh the groover."?Johnny Marr, guitarist and co-songwriter of the Smiths

1967: How I Got There and Why I Never Left explores how that pivotal slice of time tastes to a bright, obsessive/compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen?just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles' Sgt. Pepper's Lonely Hearts Club Band explodes.

When he arrives in January 1966 Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967 he's mutated into a 6'2 tall rabid Bob Dylan fan, whose two ambitions in life are to get really stoned and move to Nashville.

In between?as the hippie revolution blossoms in the world outside?Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid?a very English freak show. On the way he befriends a cadre of batwing teenage prodigies and meets their local guru, the young Brian Eno. And his home life isn't any more normal . . .

At the end of 1967 all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end?

Narrated by the author.

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    • Publisher's Weekly

      May 13, 2024
      British singer-songwriter Hitchcock wistfully reflects on boarding school and the music that shaped him in this captivating chronicle of the year he credits with sculpting his artistic sensibility. “Maybe I will become real to me, before I finally disappear,” Hitchcock muses in one of the book’s five preludes, before plunging into his memories of being a 14-year-old “inmate” at Winchester College. He recalls being bowled over by artists including the Beatles, Jimi Hendrix, Pink Floyd, and David Bowie, many of whom he encountered for the first time at Winchester. As he set about decoding the school’s social hierarchies—he especially admired the “groovers” (Beat-influenced music lovers) and “scholars” (upperclassman)—Hitchcock designed posters for shows he wasn’t old enough to attend and weaseled his way into late-night parties featuring jazz, incense, and the occasional performance by Brian Eno, who attended art school nearby. He also reflects on how time away from his family shifted their dynamics and recounts growing closer to his parents as they mourned the death of his grandmother. Hitchcock is loose, energetic company, writing with infectious enthusiasm about the liberatory sights and sounds that continue to inspire him. Readers need not be fans of Hitchcock’s music to find this enchanting.

    • AudioFile Magazine
      As someone who has made a living with his voice, singer-songwriter Robyn Hitchcock is the best person to narrate this brief memoir of the year he turned 14. That was the year, 1967, when the world first heard the Beatles' SGT. PEPPER album. With his London accent sounding both educated and edgy, Hitchcock gives an enthusiastic performance of this memoir, complete with raucous imitations of teachers and schoolmates at the boys' boarding school he attended that year. As he reflects on his musical influences at that time, he also does a passable Bob Dylan. While occasionally his voices are overly exaggerated and his delivery sounds rambling despite its brevity, in the best passages Hitchcock sounds like a trained actor. D.B. © AudioFile 2024, Portland, Maine

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  • English

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