The News

December 15, 2013
Philosophical gadfly de Botton (How to Think More About Sex, 2012, etc.) has ruminated, delightfully and often incisively, on the meaning of status, architecture, travel, Proust, sex, work, religion and love. Now he turns his attention to the news industry. "What should the news ideally be?" asks the author. "What are the deep needs to which it should cater? How could it optimally enrich us?" De Botton insists that the overriding function of news is to make us better people. News about dire crimes, for example, tells us "how badly we need to keep controlling ourselves by showing us what happens when people don't." Journalists should foster a sense of community, using their immense "power to assemble the picture that citizens end up having of one another." We need foreign news that imparts the texture of other places and people and "ignites our interest in events by remaining open to some of the lessons of art, a news that lets the poets, the travel writers and the novelists impart aspects of their crafts to journalists." We can learn more from Shakespeare and Flaubert, he believes, than, say, the Huffington Post. Unfortunately, de Botton's agenda for newsgathering is too often didactic and naive. He is not a fan of capitalism or consumerism, and he wishes that economic journalists could be "guided by a sense of where one should be going, operating with an economic Utopia in mind." In the weakest chapters, the author asks why readers are captivated by celebrity and envious of the rich and famous. He ignores investigative journalism that churns out films, books and documentaries that do ask hard questions. In the end, he urges us to forego news as distraction--especially on the Internet--and master "the art of being patient midwives to our own thoughts." How does news shape our thoughts and lives? That's a significant question, but de Botton's musings fall short of a serious response.

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January 1, 2014
To check on the news via paper or myriad electronic devices is to raise a shell to our ears and to be overpowered by the roar of humanity, asserts philosopher de Botton. Exploring the media conceit that it brings its readers, listeners, viewers only the facts, de Botton argues that what we need is the truth, something more nuanced than the facts. To make his point, he offers a collage of headlines and news items from various sources and ponders how they fit into the grander scheme of the human condition. His quirky collection touches on economics, geopolitics, violence, celebrities, and disasters. Short and pithy essays drill down beneath the news item to the general absurdity of life and observations of how the media is constantly feeding us information without real context. Interspersed throughout are references to art, literature, and culture and their more enduring messages in contrast to the impression left by the news of a desperate lack of humanity. This is a thought-provoking look at the impact of news on culture and individuals.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

April 28, 2014
In his latest, de Botton places 25 types of news stories under the microscope in an attempt to gain an understanding of how the news affects our everyday lives. Narrator Bell delivers a solid performance, with delivery as professional and direct as that of the most seasoned news broadcaster. Bell’s tone is ideally suited to de Botton’s writing: matter of fact and heavily critical of the media. Bell’s reading informs as much as it entertains, with listeners fully engaged from beginning to end. Studying the stories that dominate the headlines on any given day—including political misdoings, questionable deaths, and celebrity gossip—de Botton and Bell take listeners on a journey inside a world they think they know and explain why they’ve got it all wrong. A Pantheon hardcover.