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Eat the Mouth That Feeds You

ebook
1 of 1 copy available
1 of 1 copy available

WINNER OF THE WHITING AWARD

PEN AMERICA LITERARY FINALIST


Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times.

Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond.

"Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina

Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family's beloved lime tree.

Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border.

"Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean

"Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries

"Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review

". . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine

"Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions

"This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews, *Starred Review

"Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly

"The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World

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    • Publisher's Weekly

      January 25, 2021
      Fragoza’s debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract. In “Lumberjack Mom,” the narrator’s father nearly destroys the family’s beloved lime tree, and her distraught mother takes up a ruthless form of landscaping. In “Sabado Gigante,” a young man competes on a variety show in hopes of leaving his family’s past behind him. Fragoza’s characters are earnest while remaining complicated and conflicted. They speak to diverse immigrant experiences, stand up to patriarchal structures, and ground themselves in hope for a better future. In one of the most effective stories, “Tortillas Burning,” the protagonist describes her state of poverty with depth and clarity: “There’s a way to make room for hunger, to hold it, embrace it. But this was a lonely hunger, the kind that separates you from others, and that’s what hurts the most.” With haunting prose and an aptitude for the surreal, Fragoza emerges as a distinctive voice.

    • Kirkus

      Starred review from March 15, 2021
      This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. This slim volume's brevity belies its heavy punch, with a focus on each character's often violent yearning to exist on their own terms. The title story is unforgettable in its horror, with a young mother who allows herself to be physically consumed by her young daughter: "She asks me things I don't know how to answer. She accuses me of things that don't make sense." "The Vicious Ladies" splays open the intricate, insidious inner politics of female gangs in Los Angeles, with the narrator a seemingly unwilling participant, a so-called "smart" girl who was drawn into the Vicious Ladies' web in middle school and who has ideas beyond the parties and mini drug empire she continues to participate in. It is the Ladies' leader, Samira, who exposes the narrator's double standards and the darkness of her true self. The crown jewel of the collection is "Ini Y Fati," in which Ini, a long-dead child, saves the life of F�tima, who's been struck by lightning, wanting a playmate to alleviate her immortal boredom. The girls' innocent fun turns foreboding as Ini slowly reveals her history, rooted in patriarchal violence, to Fati, who begins to notice sharp glimmers of that same darkness in her own home. At times utterly fantastical but deeply rooted in lived experience, these stories will reach a hand inside and yank out your insides--in the best way. Full of horror and wonder.

      COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

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